Joe Sheehan

Joe Sheehan

Joe Sheehan studied contemporary jewellery at Unitec in the mid-1990s and since then has worked in carving studios throughout New Zealand. His interest in the historical, geological and cultural context of stone has led to extensive on-site field work and exploration both in Aotearoa and overseas.

The space between adornment and artefact has given him a wide field within which to operate. Sheehan’s artworks often twist the familiar and include everyday objects such as a working lightbulb, a cassette tape and batteries meticulously carved from Pounamu (New Zealand jade). An edition of three slide carousels projecting light through thin slices of Pounamu led to a suite of large photographic works.

Sheehan is interested in fragments and artefacts, ancient and modern. In particular he is intrigued by their capacity to store large amounts of information – information which often requires an imaginative leap in order to come to life.  A found collection of television remote controls was the catalyst for ‘The quick and the dead’ – a collapsed and overlapping history of the hand tool presented in 100+ basalt, greywacke and argillite objects. In artworks like this Sheehan encourages viewers to stretch forward as well as to look backwards.

Recently Sheehan’s practice has encompassed large floor-based sculpture. Whereas earlier works were scaled for the hand and the head, the scale and mass of his new work encourages a consideration of the relationship between nature and the built environment. The sheer volume of these works demands a relationship with the entire body. In their presence we become aware of ourselves.

In November 2006 Sheehan was one of the inaugural recipients of the Arts Foundation of New Zealand’s prestigious New Generation Award. In 2008 he presented work at the 28th Sao Paulo Bienal in Brazil. In 2011 he travelled to Antarctica as an Arts Fellow under the Artists in Antarctica Programme. In 2012 the survey exhibition ‘Joe Sheehan: Other Stories’ was presented at Pataka Art + Museum in Porirua, Wellington.

Sheehan’s work is held in collections including Te Papa Tongarewa Wellington, the Chartwell Collection Auckland Art Gallery Toi o Tamaki,  Christchurch Art Gallery Te Puna o Waiwhetu, Govett-Brewster Art Gallery, New Plymouth and the Victoria & Albert Museum, London UK.

Artist Portrait: Aaron Burgess

Stockroom

Mt Burnett Rd, 2021
  • Nelson Dolomite (Golden Bay)
  • 520mm H x 390mm W x 280mm D
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Red Hut, 2021
  • red Argillite (Whakatikei River)
  • 220mm H x 130mm W x 130mm D
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Deep Field 1, 2017
  • archival pigment print on Ilford Galerie Gold Fibre Silk paper
  • 415mm H x 295mm W
  • Edition: 3 + AP
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Volume 5, 2020
  • Granite (Coromandel)
  • 265mm H x 175mm W x 115mm W
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Volume 3, 2020
  • Argillite (Colac Bay, Southland)
  • 240mm H x 90mm W x 45mm D
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Untitled (Battery), 2020
  • Chalcedony (Omaui Beach) and cast sterling silver
  • 45mm H x 25mm W x 17mm D
  • Open Edition
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Deep Field 3, 2017
  • archival pigment print on Ilford Galerie Gold Fibre Silk paper
  • 415mm H x 295mm W
  • Edition: 3 + AP
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Personal Space 5, 2017
  • Coromandel basalt
  • 175mm H x 92mm W x 10mm D
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River 2, 2017
  • Russian Nephrite Jade
  • Dimensions variable (640mm H x 200mm W as pictured)
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Personal Space 6, 2017
  • Coromandel Basalt
  • 162mm H x 92mm W x 10mm D
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Hold Point, 2016
  • Coromandel Basalt
  • 140mm W x 90mm D x 110mm H
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Screenshot 4, 2014
  • Chromira photograph on Fujiflex Crystal Archive
  • 1270mm H x 1270mm W (frame)
  • Edition: 3 + 1 AP
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The Quick and the Dead #132, 2013
  • Argillite (Maitai River, Nelson)
  • 170mm H x 67mm W x 28mm D
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Bowl #02, 2016
  • Argillite (Colac Bay)
  • 100mm L x 70mm W x 45mm H
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Screenshot 7, 2014
  • Chromira photograph on Fujiflex Crystal Archive
  • 1270mm H x 1270mm W (frame)
  • Edition: 3 + 1 AP
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Untitled (Battery), 2020
  • Chalcedony (Coromandel) and cast sterling silver
  • 45mm H x 25mm W x 17mm D
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Volume 2, 2020
  • Argillite (Colac Bay, Southland)
  • 215mm H x 100mm W x 65mm D
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Untitled (Battery), 2020
  • Dolomite (Nelson) and cast sterling silver
  • 45mm H x 25mm W x 17mm D
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Screenshot 15, 2014
  • Chromia photograph on Fujiflex Crystal Archive
  • 430mm H x 430mm W (frame)
  • Edition: 3 + 1 AP
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Bowl #24, 2016
  • Argillite (Colac Bay)
  • 200mm L x 200mm W x 90mm H
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Screenshot 16, 2014
  • Chromira photograph on Fujiflex Crystal Archive
  • 430mm H x 430mm W (frame)
  • Edition: 3 + 1 AP
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Screenshot 13, 2014
  • Chromia photograph on Fujiflex Crystal Archive
  • 430mm H x 430mm W (frame)
  • Edition: 3 + 1 AP
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Bowl #28, 2016
  • Chert (Wellington)
  • 280mm L x 70mm W 25mm H
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Untitled (Battery), 2020
  • Argillite (Nelson) and cast sterling silver
  • 45mm H x 25mm W x 17mm D
  • Open Edition
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Screenshot 6, 2014
  • Chromia photograph on Fujiflex Crystal Archive
  • 1270mm H x 1270mm W (frame)
  • Edition: 3 + 1 AP
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The Quick and the Dead #149, 2013
  • Argillite (Waima River)
  • 130mm H x 45mm W x 20mm D
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Screenshot 2, 2014
  • Chromira photograph on Fujiflex Crystal Archive
  • 1270mm H x 1270mm W (frame)
  • Edition: 3 + 1 AP
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Volume 6, 2020
  • Granite (Karamea, West Coast, South Island)
  • 290mm H x 175mm W x 130mm D
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Screenshot 14, 2014
  • Chromira photograph on Fujiflex Crystal Archive
  • 430mm H x 430mm W
  • Edition: 3 + 1 AP
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The Quick and the Dead: Suite #4, 2013
  • Graywacke, basalt, argillite
  • 16 pieces, various dimensions
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The Weight of the World (Fragments 4), 2017
  • pure gold, 9ct rose gold, 9ct yellow gold, pure silver, sterling silver, bronze, copper
  • various dimensions
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Screenshot 3, 2014
  • Chromira photograph on Fujiflex Crystal Archive
  • 1270mm H x 1270mm W (frame)
  • Edition: 3 + 1 AP
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Bowl #29, 2016
  • Argillite (Colac Bay)
  • 140mm H x 80mm W x 30mm H
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The Weight of the World 1, 2017
  • copper, pure silver
  • 205mm H x 80mm W x 25mm D
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